Difference between revisions of "Faux Genders"
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|style="font-weight: bold;" | edge, border | |style="font-weight: bold;" | edge, border | ||
− | | class="fem" | | + | | class="fem" | ōra, ōrae (''1f'') |
| | | | ||
| class="fem" | a orla | | class="fem" | a orla | ||
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|- | |- | ||
|style="font-weight: bold;" | nose | |style="font-weight: bold;" | nose | ||
− | | class="masc" | | + | | class="masc" | nāsus, nāsī (''2m'') |
| | | | ||
| class="masc" | o nariz | | class="masc" | o nariz | ||
| class="masc" | o nariz | | class="masc" | o nariz | ||
− | | class="fem" | | + | | class="fem" | la nariz |
| class="masc" | el nas | | class="masc" | el nas | ||
| | | | ||
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|- | |- | ||
|style="font-weight: bold;" | journey, voyage | |style="font-weight: bold;" | journey, voyage | ||
− | | class="masc" | | + | | class="masc" | viāticus, viāticī (''2m'') |
| | | | ||
| class="fem" | a viagem | | class="fem" | a viagem | ||
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| class="masc" | le voyage | | class="masc" | le voyage | ||
− | | | + | | class="masc" | l'viage |
| | | | ||
| | | | ||
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|- | |- | ||
|style="font-weight: bold;" rowspan="2" | glass | |style="font-weight: bold;" rowspan="2" | glass | ||
− | | class="neut" rowspan="2" | vitrum, | + | | class="neut" rowspan="2" | vitrum, vitrī (''2n'') |
| class="nogender" rowspan="2" | | | class="nogender" rowspan="2" | | ||
| class="masc" rowspan="2" | o vidro | | class="masc" rowspan="2" | o vidro | ||
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| class="nogender" rowspan="2" | | | class="nogender" rowspan="2" | | ||
| class="fem" rowspan="2" | l'oreille (''fem'') | | class="fem" rowspan="2" | l'oreille (''fem'') | ||
+ | | class="fem" rowspan="2" |l'ouothelle (''fem'') | ||
+ | | class="nogender" rowspan="2" |orêle (?) | ||
| class="nogender" rowspan="2" | | | class="nogender" rowspan="2" | | ||
− | + | | class="masc" | l'orecchio (''masc'')<ref name="orecchio"> This is one of several irregular plural formations in Italian. More common irregular formations in Italian appear with a masculine singular noun ending in ''-o,'' which changes to a feminine noun in the plural with its ending in ''-a''. Examples of these "plurali irregolari" are: ''il braccio-le braccia, il ciglio-le ciglia, il labbro-le labbra, l'uovo (m)-le uova, il dito-le dita, il riso-le risa ('laughter'), l'osso (m)-le ossa, il ginocchio-le ginocchia, ''etc. Interestingly enough, Polinsky and Van Everbroek inform us that ''lèvre'' in Old French was variable - sometimes masculine, sometimes feminine - while, in modern French, ''lèvre'' 'lip' is feminine (“Development of Gender Classifications: Modeling the Historical Change from Latin to French”, <u>Language</u>, 79.2 (Jun., 2003): 356-90). It should be further noted that ''la deda'' in dialectal Spanish (the feminine of ''el dedo'' 'the finger') refers to the thumb. This structure, along with more common/acceptable variants such as ''il brazo/la braza'' 'the arm/the fathom' (both singular grammatically and semantically) and other such pairs, demonstrates the way in which Spanish deals with the loss of the neuter, as well as semantic differences regarding size. This is discussed more thoroughly in Werner Wandersleben's article "Sobre el Femenino Aumentativo", in <u>RLA</u>, 19 (1981), 9-18.</ref> | |
− | |||
− | | class="masc" | l'orecchio (''masc'')<ref name="orecchio"> This is one of several irregular plural formations in Italian. More common irregular formations in Italian appear with a masculine singular noun ending in -o, which changes to a feminine noun in the plural with its ending in -a. Examples of these "plurali irregolari" are: il braccio-le braccia, il ciglio-le ciglia, il labbro-le labbra, l'uovo (m)-le uova, il dito-le dita, il riso-le risa ('laughter'), l'osso (m)-le ossa, il ginocchio-le ginocchia, etc. Interestingly enough, Polinsky and Van Everbroek inform us that ''lèvre'' in Old French was variable - sometimes masculine, sometimes feminine - while, in modern French, ''lèvre'' 'lip' is feminine (“Development of Gender Classifications: Modeling the Historical Change from Latin to French”, <u>Language</u>, 79.2 (Jun., 2003): 356-90). It should be further noted that ''la deda'' in dialectal Spanish (the feminine of ''el dedo'' 'the finger') refers to the thumb. This structure, along with more common/acceptable variants such as ''il brazo/la braza'' 'the arm/the fathom' (both singular grammatically and semantically) and other such pairs, demonstrates the way in which Spanish deals with the loss of the neuter, as well as semantic differences regarding size. This is discussed more thoroughly in Werner Wandersleben's article "Sobre el Femenino Aumentativo", in <u>RLA</u>, 19 (1981), 9-18.</ref> | ||
| class="fem" rowspan="2" | orija | | class="fem" rowspan="2" | orija | ||
|- | |- | ||
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| class="fem" | le orecchie | | class="fem" | le orecchie | ||
|- | |- | ||
− | |style="font-weight: bold;" rowspan="2" | flower<ref name=flower>According to Rolhfs, the case of '' | + | |style="font-weight: bold;" rowspan="2" | flower<ref name=flower>According to Rolhfs, the case of ''flōs, flōris (m)'' adopting questionable gender in modern Romance languages has to do with the same factors that cause abstract Latin nouns in ''-or'' from the third declension to illustrate the same sorts of issues. He cites the fact that this word in modern Romances has the semantic value of both 'flower' and 'blossom', and suggests that ''flōs'' is therefore not completely concrete. Thus, he makes a case for the classification of ''flōs, flōris'' as abstract ("Aspects du latin vulgaire examiné à travers la géographie linguistique", <u>Travaux de Linguistique et de Litterature</u>, 17.1 (1979), 7-25). See the footnote following ''fleur'' for a different approach.</ref> |
− | | class="masc" rowspan="2" | | + | | class="masc" rowspan="2" | flōs, flōris (''3m'') |
| class="fem" | floare (''fem'') | | class="fem" | floare (''fem'') | ||
| class="fem" rowspan="2" | a flor | | class="fem" rowspan="2" | a flor | ||
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| class="fem" rowspan="2" | la flor | | class="fem" rowspan="2" | la flor | ||
| class="nogender" rowspan="2" | | | class="nogender" rowspan="2" | | ||
− | | class="fem" rowspan="2" | la fleur<ref name=''fleur''>Many abstract words with the accusative singular in ''- | + | | class="fem" rowspan="2" | la fleur<ref name=''fleur''>Many abstract words with the accusative singular in ''-ōrem'' became feminine in French (e.g., ''dolor (masc)'' > ''douleur (fem)''). The nonabstract 'flower' supposedly followed suit, according to historical grammars, which appeal to analogy and abstractness. Polinsky and Van Everbroek suggest that a better explanation would be analogy to nonabstract feminine nouns in ''-orem'' that occur with high frequency, e.g., ''soror'' 'sister', and ''uxor'' 'spouse' (“Development of Gender Classifications: Modeling the Historical Change from Latin to French”, <u>Language</u>, 79.2 (Jun., 2003): 356-90).</ref> |
| class="fem" rowspan="2"| la flieur | | class="fem" rowspan="2"| la flieur | ||
| class="fem" rowspan="2" | la flleur | | class="fem" rowspan="2" | la flleur | ||
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|- | |- | ||
|style="font-weight: bold;" rowspan="2" | colour | |style="font-weight: bold;" rowspan="2" | colour | ||
− | | class="masc" rowspan="2" | color, | + | | class="masc" rowspan="2" | color, colōris (''3m'') |
| class="fem" | culoare (''fem'') | | class="fem" | culoare (''fem'') | ||
| class="fem" rowspan="2" | a cor | | class="fem" rowspan="2" | a cor | ||
| class="fem" rowspan="2" | a cor | | class="fem" rowspan="2" | a cor | ||
| class="masc" rowspan="2" | el color<ref name="colorcalor">According to Ralph Penny (<u>A History of the Spanish Language</u>, Cambridge: University Press (2002), 125), Spanish 'calor' and 'color' were usually feminine in Old Spanish but revert to masculine after the Golden Age. Penny also mentions that these two nouns remain feminine in regional speech.</ref> | | class="masc" rowspan="2" | el color<ref name="colorcalor">According to Ralph Penny (<u>A History of the Spanish Language</u>, Cambridge: University Press (2002), 125), Spanish 'calor' and 'color' were usually feminine in Old Spanish but revert to masculine after the Golden Age. Penny also mentions that these two nouns remain feminine in regional speech.</ref> | ||
− | | class="masc" | el color<ref name="catalanella">Zenenko states that nouns ending in <i>- | + | | class="masc" | el color<ref name="catalanella">Zenenko states that nouns ending in <i>-ōrem</i> (in the accusative) are generally masculine in Latin but often develop into feminine nouns in Ibero-Romance. However, in the case of Catalan, these nouns are almost exclusively masculine in the spoken language, with the feminine equivalent appearing more and more in formal writing (“Acerca de la manifestación del género de los sustantivos y adjetivos como categoría grammatical en las lenguas romances ibéricas”, <u>Verba</u>, 10.1 (1983): 231-247).</ref> |
| class="nogender" rowspan="2" | | | class="nogender" rowspan="2" | | ||
| class="fem" rowspan="2" | la couleur | | class="fem" rowspan="2" | la couleur | ||
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|- | |- | ||
|style="font-weight: bold;" rowspan="2" | pain | |style="font-weight: bold;" rowspan="2" | pain | ||
− | | class="masc" rowspan="2" | dolor, | + | | class="masc" rowspan="2" | dolor, dolōris (''3m'') |
| class="fem" rowspan="2" | durere (''fem'') | | class="fem" rowspan="2" | durere (''fem'') | ||
| class="fem" rowspan="2" | a dor | | class="fem" rowspan="2" | a dor | ||
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| class="nogender" rowspan="2" | | | class="nogender" rowspan="2" | | ||
| class="fem" rowspan="2" | la douleur | | class="fem" rowspan="2" | la douleur | ||
− | | class=" | + | | class="fem" rowspan="2" | la douleu |
| class="nogender" rowspan="2" | | | class="nogender" rowspan="2" | | ||
| class="nogender" rowspan="2" | | | class="nogender" rowspan="2" | | ||
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|- | |- | ||
|style="font-weight: bold;" rowspan="2" | bridge | |style="font-weight: bold;" rowspan="2" | bridge | ||
− | | class="masc" rowspan="2" | | + | | class="masc" rowspan="2" | pōns, pontis (''3m'') |
| class="fem" | punte (''fem'') | | class="fem" | punte (''fem'') | ||
| class="fem" rowspan="2" | a ponte | | class="fem" rowspan="2" | a ponte | ||
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| class="nogender" rowspan="2" | | | class="nogender" rowspan="2" | | ||
| class="masc" rowspan="2" | le pont | | class="masc" rowspan="2" | le pont | ||
− | | class=" | + | | class="masc" rowspan="2" |l'pont |
| class="nogender" rowspan="2" | | | class="nogender" rowspan="2" | | ||
| class="fem" rowspan="2" | la punt | | class="fem" rowspan="2" | la punt | ||
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|- | |- | ||
|style="font-weight: bold;" | tooth | |style="font-weight: bold;" | tooth | ||
− | | class="masc" | | + | | class="masc" | dēns, dentis (''3m'') |
| class="masc" | dinte (''masc'')<ref name=dinte>According to Perkowski and Vrabie, this fits into three different semantic groups of the uncommon masculine inanimates in Romanian. That is, it fits into the groups related to bilaterality, anatomy, and implanted and hanging verticality. Vrabie and Perkowski also mention that the structure ''dinte/dinṭi'' shows an ending pattern that occurs frequently in animate masculine nouns and in adjectives, thus containing many aspects that maintain its grammatical gender. See footnote for ''nuor'' for bibliographic information.</ref> | | class="masc" | dinte (''masc'')<ref name=dinte>According to Perkowski and Vrabie, this fits into three different semantic groups of the uncommon masculine inanimates in Romanian. That is, it fits into the groups related to bilaterality, anatomy, and implanted and hanging verticality. Vrabie and Perkowski also mention that the structure ''dinte/dinṭi'' shows an ending pattern that occurs frequently in animate masculine nouns and in adjectives, thus containing many aspects that maintain its grammatical gender. See footnote for ''nuor'' for bibliographic information.</ref> | ||
| class="masc" | o dente | | class="masc" | o dente | ||
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| | | | ||
| class="fem" | la dent<ref name=dent>According to Rohlfs 1979, this phenomenon can be explained thusly: ''la dent'' developed as a feminine noun due to the influence of MOLA 'molar' and was reinforced by the feminine MENS, MENTIS, which has the same structure in the declension paradigm.</ref> | | class="fem" | la dent<ref name=dent>According to Rohlfs 1979, this phenomenon can be explained thusly: ''la dent'' developed as a feminine noun due to the influence of MOLA 'molar' and was reinforced by the feminine MENS, MENTIS, which has the same structure in the declension paradigm.</ref> | ||
− | | | + | | class="fem" | la dent |
− | | | + | | class="fem" | la dent |
| | | | ||
| class="masc" | il dente | | class="masc" | il dente | ||
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| | | | ||
| class="masc" | le pouce | | class="masc" | le pouce | ||
− | | | + | | class="masc" | l'pouce <ref name=pouce>This is almost certainly a borrowing from French; "pouoche" is the expected Jèrriais form</ref> |
− | | | + | | pouoche (?)<ref name=pouoche>"Ou"(/u/) would be expected here, instead of "ouo" (/wo/).</ref> |
| class="masc" | il polesch | | class="masc" | il polesch | ||
| class="masc" | il pollice | | class="masc" | il pollice | ||
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|- | |- | ||
|style="font-weight: bold;" | salt | |style="font-weight: bold;" | salt | ||
− | | class="masc" | | + | | class="masc" | sāl, salis (''3m'') |
| class="fem" | sare (''fem'') | | class="fem" | sare (''fem'') | ||
| class="masc" | o sal | | class="masc" | o sal | ||
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| | | | ||
| class="masc" | le sel | | class="masc" | le sel | ||
− | | | + | | class="masc" | l'sé |
− | | | + | | saé (?) |
| class="masc" | il sal | | class="masc" | il sal | ||
| class="masc" | il sale | | class="masc" | il sale | ||
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|- | |- | ||
|style="font-weight: bold;" rowspan="2" | labor, task, ploughing | |style="font-weight: bold;" rowspan="2" | labor, task, ploughing | ||
− | | class="masc" rowspan="2" | labor, | + | | class="masc" rowspan="2" | labor, labōris (''3m'') |
| class="nogender" rowspan="2" | | | class="nogender" rowspan="2" | | ||
| class="masc" rowspan="2" | o lavouro | | class="masc" rowspan="2" | o lavouro | ||
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| class="nogender" rowspan="2" | | | class="nogender" rowspan="2" | | ||
| class="masc" | le labeur | | class="masc" | le labeur | ||
− | | class=" | + | | class="masc" rowspan="2" | l'boulais |
| class="nogender" rowspan="2" | | | class="nogender" rowspan="2" | | ||
| class="nogender" rowspan="2" | | | class="nogender" rowspan="2" | | ||
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| class="nogender" rowspan="2" | | | class="nogender" rowspan="2" | | ||
| class="fem" | la poussière | | class="fem" | la poussière | ||
− | | class="nogender | + | | class="nogender" | la poussiéthe; l'ponsi |
| class="nogender" rowspan="2" | | | class="nogender" rowspan="2" | | ||
| class="nogender" rowspan="2" | | | class="nogender" rowspan="2" | | ||
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| class="fem" rowspan="2" | piuere | | class="fem" rowspan="2" | piuere | ||
|- | |- | ||
− | | class="fem" | la poudre | + | | class="fem" | la poudre | class="fem" | la poudre |
|- | |- | ||
|style="font-weight: bold;" rowspan="2" | end | |style="font-weight: bold;" rowspan="2" | end | ||
− | | class="masc" rowspan="2" | | + | | class="masc" rowspan="2" | fīnis, fīnis (''3m, i-stem'') |
| class="nogender" rowspan="2" | | | class="nogender" rowspan="2" | | ||
| class="masc" rowspan="2" | o fim | | class="masc" rowspan="2" | o fim | ||
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| class="nogender" rowspan="2" | | | class="nogender" rowspan="2" | | ||
| class="fem" rowspan="2" | la fin | | class="fem" rowspan="2" | la fin | ||
− | | class=" | + | | class="fem" rowspan="2" |la fin |
− | | class=" | + | | class="fem" rowspan="2" |la fin |
| class="fem" rowspan="2" | la fin | | class="fem" rowspan="2" | la fin | ||
| class="fem" | la fine | | class="fem" | la fine | ||
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|- | |- | ||
|style="font-weight: bold;" rowspan="2" | sweat | |style="font-weight: bold;" rowspan="2" | sweat | ||
− | | class="masc" rowspan="2" | | + | | class="masc" rowspan="2" | sūdor, sūdōris (''3m'') |
| class="fem" rowspan="2" | sudoare ''fem'') | | class="fem" rowspan="2" | sudoare ''fem'') | ||
| class="masc" rowspan="2" | o suor | | class="masc" rowspan="2" | o suor | ||
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|- | |- | ||
|style="font-weight: bold;" rowspan="2" | warmth, heat | |style="font-weight: bold;" rowspan="2" | warmth, heat | ||
− | | class="masc" rowspan="2" | calor, | + | | class="masc" rowspan="2" | calor, calōris (''3m'') |
| class="fem" rowspan="2" | căldură ''fem'') | | class="fem" rowspan="2" | căldură ''fem'') | ||
| class="masc" rowspan="2" | o calor | | class="masc" rowspan="2" | o calor | ||
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|- | |- | ||
|style="font-weight: bold;" | cloud | |style="font-weight: bold;" | cloud | ||
− | | class="fem" | | + | | class="fem" | nūbēs, nūbis (''3f'') |
| class="masc" | nour (masc)<ref name=nuor>This fits into Vrabie and Perkowski's "celestial entites" semantic category, as part the paradigm for masculine inanimate Romanian nouns. Most inanimates are neuter in Romanian. (For further information, see their article "Covert Semantic and Morphophonemic Categories in the Romanian Gender System" in the <u>Slavic and East European Journal</u>, 30.1 (Spring 1986): 54-67.)</ref> | | class="masc" | nour (masc)<ref name=nuor>This fits into Vrabie and Perkowski's "celestial entites" semantic category, as part the paradigm for masculine inanimate Romanian nouns. Most inanimates are neuter in Romanian. (For further information, see their article "Covert Semantic and Morphophonemic Categories in the Romanian Gender System" in the <u>Slavic and East European Journal</u>, 30.1 (Spring 1986): 54-67.)</ref> | ||
| class="fem" | a nuvem | | class="fem" | a nuvem | ||
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|- | |- | ||
|style="font-weight: bold;" rowspan="2" | valley | |style="font-weight: bold;" rowspan="2" | valley | ||
− | | class="fem" rowspan="2" | | + | | class="fem" rowspan="2" | vallēs, vallis (''3f'') |
| class="nogender" rowspan="2" | | | class="nogender" rowspan="2" | | ||
| class="masc" rowspan="2" | o vale | | class="masc" rowspan="2" | o vale | ||
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| class="masc" rowspan="2" | el arbre | | class="masc" rowspan="2" | el arbre | ||
| class="nogender" rowspan="2" | | | class="nogender" rowspan="2" | | ||
− | | class="masc" rowspan="2" | l'arbre (''masc'')<ref name=''arbre''>According to Polinsky & Van Everbroek, the traditional view of the development of <i>l'arbre (masc)</i> is the following: when tree names in Latin (which were feminine and ended in ''-us'') became masculine nouns due to their similarities with second declension masculine nouns, Old French ''arbor'' became masculine by analogy. The authors, however, believe that a more plausible explanation would be that ''arbor'' became masculine around the same time that many nonabstract Latin nouns in ''- | + | | class="masc" rowspan="2" | l'arbre (''masc'')<ref name=''arbre''>According to Polinsky & Van Everbroek, the traditional view of the development of <i>l'arbre (masc)</i> is the following: when tree names in Latin (which were feminine and ended in ''-us'') became masculine nouns due to their similarities with second declension masculine nouns, Old French ''arbor'' became masculine by analogy. The authors, however, believe that a more plausible explanation would be that ''arbor'' became masculine around the same time that many nonabstract Latin nouns in ''-ōrem'' became masculine in early Old French. However, the majority of such nouns started as neuter in Latin. For example, <i>Lat. cor > OFr. coeur</i> 'heart' (“Development of Gender Classifications: Modeling the Historical Change from Latin to French”, <u>Language</u>, 79.2 (Jun., 2003): 356-90).</ref> |
| class="masc" rowspan="2" | l'arbre (''masc''); l'bouais | | class="masc" rowspan="2" | l'arbre (''masc''); l'bouais | ||
| class="masc" rowspan="2" | l'âbre (''masc'') | | class="masc" rowspan="2" | l'âbre (''masc'') | ||
| class="nogender" rowspan="2" | | | class="nogender" rowspan="2" | | ||
| class="masc" rowspan="2" | l'albero (''masc'') | | class="masc" rowspan="2" | l'albero (''masc'') | ||
− | | class="fem" | árbures<ref name=''arbures''>This noun appears in Gerhard Rohlf's article "Aspects du latin vulgaire examiné à travers la géographie linguistique", published in <u>Travaux de Linguistique et de | + | | class="fem" | árbures<ref name=''arbures''>This noun appears in Gerhard Rohlf's article "Aspects du latin vulgaire examiné à travers la géographie linguistique", published in <u>Travaux de Linguistique et de Littérature</u>, 17.1 (1979).</ref> |
|- | |- | ||
| class="masc" | a(l/r)bure | | class="masc" | a(l/r)bure | ||
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|- | |- | ||
|style="font-weight: bold;" | custom | |style="font-weight: bold;" | custom | ||
− | | class="fem" | | + | | class="fem" | cōnsuētūdō, cōnsuētūdinis (''3f'') |
| | | | ||
| class="masc" | o costume | | class="masc" | o costume | ||
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|- | |- | ||
|style="font-weight: bold;" | origin | |style="font-weight: bold;" | origin | ||
− | | class="fem" | | + | | class="fem" | orīgō, orīginis (''3f'') |
| class="fem" | origine (''fem'') | | class="fem" | origine (''fem'') | ||
| class="fem" | a origem | | class="fem" | a origem | ||
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| class="fem" | l'origine (''fem'') | | class="fem" | l'origine (''fem'') | ||
| | | | ||
− | | | + | | l'origine (?) |
| | | | ||
| class="fem" | l'origine (''fem'') | | class="fem" | l'origine (''fem'') | ||
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|- | |- | ||
|style="font-weight: bold;" | hail | |style="font-weight: bold;" | hail | ||
− | | class="fem" | | + | | class="fem" | grandō, grandinis (''3f'') |
| | | | ||
| class="masc" | o granizo | | class="masc" | o granizo | ||
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|- | |- | ||
|style="font-weight: bold;" rowspan="2" | sea | |style="font-weight: bold;" rowspan="2" | sea | ||
− | | class="neut" rowspan="2" | | + | | class="neut" rowspan="2" | mare, maris (''3n'') |
| class="fem" rowspan="2" | mare (''fem'') | | class="fem" rowspan="2" | mare (''fem'') | ||
| class="masc" rowspan="2" | o mar | | class="masc" rowspan="2" | o mar | ||
Line 484: | Line 484: | ||
| class="nogender" rowspan="2" | | | class="nogender" rowspan="2" | | ||
| class="masc" rowspan="2" | le miel | | class="masc" rowspan="2" | le miel | ||
− | | class=" | + | | class="masc" rowspan="2" | l'myi |
− | | class=" | + | | class="masc" rowspan="2" | le mié |
| class="nogender" rowspan="2" | | | class="nogender" rowspan="2" | | ||
| class="masc" rowspan="2" | il miele | | class="masc" rowspan="2" | il miele | ||
Line 496: | Line 496: | ||
| colspan="14" align="center" style="font-weight: bold;" | Fifth declension | | colspan="14" align="center" style="font-weight: bold;" | Fifth declension | ||
|- | |- | ||
− | |style="font-weight: bold;" | ice | + | |style="font-weight: bold;" rowspan="2" | ice |
− | | class="fem" | | + | | class="fem" | glaciēs, glaciēī (''5f'') |
− | | | + | | class="nogender" rowspan="2" | |
− | | class="masc" | o gelo | + | | class="masc" rowspan="2" | o gelo |
− | | class="masc" | o xeo | + | | class="masc" rowspan="2" | o xeo |
− | | class="masc" | el hielo | + | | class="masc" rowspan="2" | el hielo |
− | | | + | | class="nogender" rowspan="2" | |
− | | | + | | class="nogender" rowspan="2" | |
− | | class="fem" | la glace | + | | class="fem" rowspan="2" | la glace |
− | | | + | | class="fem" rowspan="2" | la gliaiche |
− | | | + | | class="fem" rowspan="2" | la gllèche |
− | | class="masc" | il glatsch | + | | class="masc" rowspan="2" | il glatsch |
− | | class="masc" | il ghiaccio | + | | class="masc" rowspan="2" | il ghiaccio |
− | | class="masc" | ghiacciu | + | | class="masc" rowspan="2" | ghiacciu |
+ | |- | ||
+ | | class="neut" | gelu, gelus (''4n'') | ||
|- | |- | ||
|style="font-weight: bold;" | landscape | |style="font-weight: bold;" | landscape | ||
Line 520: | Line 522: | ||
| | | | ||
| class="masc" | le paysage | | class="masc" | le paysage | ||
− | | | + | | class="masc" | l'paysage |
| | | | ||
| | | | ||
Line 550: | Line 552: | ||
| | | | ||
| class="fem" | l'araignée (''fem'') | | class="fem" | l'araignée (''fem'') | ||
− | | class="masc" | l'pêtre | + | | class="masc" | l'pêtre <ref name=''pêtre''>I believe this was borrowed from Breton.</ref> |
| | | | ||
| | | | ||
Line 648: | Line 650: | ||
| | | | ||
|- | |- | ||
− | | colspan="14" align="center" style="font-weight: bold;" | Created from adjectival forms | + | | colspan="14" align="center" style="font-weight: bold;" | Created from adjectival forms<ref name=''adjforms''>"'Abstract nouns of quality' - noun derivatives of qualitative adjectives - are normally feminine" (Posner, Rebecca. <u>The Romance Languages</u>. Cambridge: University Press, 2002: 55).</ref> |
|- | |- | ||
|style="font-weight: bold;" | minute | |style="font-weight: bold;" | minute |
Latest revision as of 03:19, 12 July 2008
Faux Genders is a perhaps misleading term referring to cognates in the Romance languages which are not consistent in grammatical gender (noun class) from one language to the next.
Following is a collection of some examples of these.
History
This project was originally started as a random exercise, with the following explanation:
Spanish and French, both being Romance languages, have a gender attribute to their nouns. Also, being related, many words have the same origin. These are called cognates. In French, cognates that don't have the same meaning as their source are called faux amis. Having studied French before Spanish, and not ever having been good at remembering what gender a given noun was in French, I found it convenient to rely on Spanish when I needed a noun's gender, since remembering a noun's gender in Spanish is as simple as learning only a few rules and a handful of exceptions. However, it turns out that not all French-Spanish cognates have the same gender, though probably well over 90% do.[1]
Here's a small compilation of exceptions that Jonathan North Washington, Hannah Beth Washington, George Martin Fell Brown, and Michael-Forest Meservy have been able to collect.
This data is now being collected for Hannah's B.A. thesis.
The Chart
English | Latin | Romanian | Portuguese | Galician | Spanish | Catalan | Occitan | French | Jèrriais | Cotentinais | Romansh | Italian | Sardinian |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|
First declension | |||||||||||||
edge, border | ōra, ōrae (1f) | a orla | la orla | l'orlo (masc) | oru | ||||||||
Second declension | |||||||||||||
nose | nāsus, nāsī (2m) | o nariz | o nariz | la nariz | el nas | le nez | l'nez | il nas | il naso | nasu | |||
journey, voyage | viāticus, viāticī (2m) | a viagem | a viaxe | el viaje | el viatge | le voyage | l'viage | il viaggio | |||||
glass | vitrum, vitrī (2n) | o vidro | o vidro | el vidrio | le verre | l'vèrre | il vaider | il vetro | bidru | ||||
la vitre | l'vitre | vetru | |||||||||||
Third declension | |||||||||||||
ear | auris, auris (3f) | ureche (fem) | a orelha | a orella | la oreja | l'orella (fem) | l'oreille (fem) | l'ouothelle (fem) | orêle (?) | l'orecchio (masc)[2] | orija | ||
auricula, auriculae (1f) | le orecchie | ||||||||||||
flower[3] | flōs, flōris (3m) | floare (fem) | a flor | a flor | la flor | la flor | la fleur[4] | la flieur | la flleur | la flur | il fiore | flore | |
înflorire (fem) | fiore | ||||||||||||
colour | color, colōris (3m) | culoare (fem) | a cor | a cor | el color[5] | el color[6] | la couleur | la couleu | la couoleu | la colur | il colore | colore | |
colorit (neut) | la color | ||||||||||||
pain | dolor, dolōris (3m) | durere (fem) | a dor | a dor | el dolor | el dolore[6] | la douleur | la douleu | il dolore | dolore | |||
la dolore | |||||||||||||
bridge | pōns, pontis (3m) | punte (fem) | a ponte | a ponte | el puente | el pǫnt | le pont | l'pont | la punt | il ponte | ponte | ||
ponton; pod (neut.) | ponti | ||||||||||||
tooth | dēns, dentis (3m) | dinte (masc)[7] | o dente | o dente | el diente | la dent[8] | la dent | la dent | il dente | dente | |||
inch | pollex, pollicis (3m) | a polegada | a polgada | la pulgada | le pouce | l'pouce [9] | pouoche (?)[10] | il polesch | il pollice | poddighe (mannu) | |||
blood | sanguis, sanguinis (3m) | sînge ("masc") | o sangue | o sangue | la sangre | la sang | sang (fem) | le sang | l'sang | il sang | il sangue | sanguni | |
sang (masc) | sambene | ||||||||||||
salt | sāl, salis (3m) | sare (fem) | o sal | o sal | la sal[11] | la sal | le sel | l'sé | saé (?) | il sal | il sale | sale | |
labor, task, ploughing | labor, labōris (3m) | o lavouro | o labor | la labor | la labor | le labeur | l'boulais | il lavoro | |||||
le labour | |||||||||||||
dust, powder | pulvis, pulveris (3m) | pulbere (fem) | a poeira | a poeira | el polvo | la pols | la poussière | la poussiéthe; l'ponsi | la polvere | piuere | |||
la poudre | class="fem" | la poudre | |||||||||||||
end | fīnis, fīnis (3m, i-stem) | o fim | o fin | el fin | el fi | la fin | la fin | la fin | la fin | la fine | fine | ||
la fi | il fine | finis | |||||||||||
sweat | sūdor, sūdōris (3m) | sudoare fem) | o suor | o suor | el sudor | el suor[6] | la sueur | il sudore | suore | ||||
la suor | la suée | ||||||||||||
warmth, heat | calor, calōris (3m) | căldură fem) | o calor | o calor | el calor[5] | el calor[6] | la chaleur | il calore | il calore | ||||
la calor | |||||||||||||
cloud | nūbēs, nūbis (3f) | nour (masc)[12] | a nuvem | a nube | la nube | el núvol | le nuage | l'nouage | la nuaée | il nivel | la nuvola | nue | |
valley | vallēs, vallis (3f) | o vale | o val | el valle[13] | la vall | la vallée | la vallée | la val | la valle | badde | |||
valli | |||||||||||||
tree | arbor, arboris (3f) | a árvore | a árbore | el árbol[14] | el arbre | l'arbre (masc)[15] | l'arbre (masc); l'bouais | l'âbre (masc) | l'albero (masc) | árbures[16] | |||
a(l/r)bure | |||||||||||||
art | ars, artis (3f) | a arte | a arte | el arte | el arte | l'art (masc)[17] | l'art (masc) | l'art (masc) | l'arte (fem) | arte | |||
las artes | l'arte (fem) | ||||||||||||
custom | cōnsuētūdō, cōnsuētūdinis (3f) | o costume | o costume | la costumbre | la coutume | il costume | costumene | ||||||
origin | orīgō, orīginis (3f) | origine (fem) | a origem | a orixe | el origen[18] | el origen | l'origine (fem) | l'origine (?) | l'origine (fem) | origine | |||
hail | grandō, grandinis (3f) | o granizo | el granizo | la grêle | la granella | la grandine | |||||||
milk | lac, lactis (3n) | lapte (neut) | o leite | o leite | la leche | la llet | lach | le lait[19] | l'lait | il latg | il latte | latte | |
sea | mare, maris (3n) | mare (fem) | o mar | o mar | el mar[20] | el mar[21] | la mer[22] | la mé | la mé | la mar | il mare | mare | |
la mar | |||||||||||||
honey | mel, mellis (3n) | miere (fem) | o mel | o mel | la miel | el mel | le miel | l'myi | le mié | il miele | miele | ||
la mel | |||||||||||||
Fourth declension | |||||||||||||
Fifth declension | |||||||||||||
ice | glaciēs, glaciēī (5f) | o gelo | o xeo | el hielo | la glace | la gliaiche | la gllèche | il glatsch | il ghiaccio | ghiacciu | |||
gelu, gelus (4n) | |||||||||||||
landscape | a paisagem | a paisaxe | el paisaje | le paysage | l'paysage | il paesaggio | paesaggiu | ||||||
flag | a bandeira | a bandeira | la bandera | le drapeau | la couleu | la couoleu | la bandiera | ||||||
spider | a aranha | a araña | la araña | l'araignée (fem) | l'pêtre [23] | il ragno | |||||||
Neologisms | |||||||||||||
make-up | a maquiagem | el maquillaje | le maquillage | ||||||||||
garage | garaj (neut) | a garagem | o garaxe | el garaje | el garatge | le garage | la garascha | ||||||
car | automobil (neut) | o auto | el auto | l'auto (masc) | l'auto (fem) | la vaituthe; moto (?) | la qùérette; la maringote; l'éto (?) | l'auto (masc) | l'automobile (fem) | ||||
tomato[24] | tomată | o tomate | o tomate | el tomate | el tomàquet | la tomate | la tanmate | la tomata | |||||
edge, border | bordură (fem) | o bordo | la bordure | ||||||||||
yam[25] | o inhame | el ñame | l'igname (fem) | l'igname (masc) | |||||||||
Created from adjectival forms[26] | |||||||||||||
minute | minut | o minuto | o minuto | el minuto | la minute | la minnute | la minute | la minuta | il minuto | ||||
Derived from verbs, also known as deverbal or postverbal nouns | |||||||||||||
conquest | a conquista | a conquista | la conquista | la conquète | la contchête | le conqùet | la conquista | ||||||
shelf | a estante | o estante | el estante | l'étagère (fem) |
Footnotes
- ↑ In light of Richard V. Teschner's 1986 study ("The Genders of French and Spanish Noun Cognates: Some Statistics and a List" from The Canadian Modern Language Review, Jan. 1986: 256-66), this guesstimate can be revised. Teschner found 14,966 noun cognates between French and Spanish, of which 13,825 have the same grammatical gender; this indicates that 92.38% of French cognates with Spanish share the same gender.
- ↑ This is one of several irregular plural formations in Italian. More common irregular formations in Italian appear with a masculine singular noun ending in -o, which changes to a feminine noun in the plural with its ending in -a. Examples of these "plurali irregolari" are: il braccio-le braccia, il ciglio-le ciglia, il labbro-le labbra, l'uovo (m)-le uova, il dito-le dita, il riso-le risa ('laughter'), l'osso (m)-le ossa, il ginocchio-le ginocchia, etc. Interestingly enough, Polinsky and Van Everbroek inform us that lèvre in Old French was variable - sometimes masculine, sometimes feminine - while, in modern French, lèvre 'lip' is feminine (“Development of Gender Classifications: Modeling the Historical Change from Latin to French”, Language, 79.2 (Jun., 2003): 356-90). It should be further noted that la deda in dialectal Spanish (the feminine of el dedo 'the finger') refers to the thumb. This structure, along with more common/acceptable variants such as il brazo/la braza 'the arm/the fathom' (both singular grammatically and semantically) and other such pairs, demonstrates the way in which Spanish deals with the loss of the neuter, as well as semantic differences regarding size. This is discussed more thoroughly in Werner Wandersleben's article "Sobre el Femenino Aumentativo", in RLA, 19 (1981), 9-18.
- ↑ According to Rolhfs, the case of flōs, flōris (m) adopting questionable gender in modern Romance languages has to do with the same factors that cause abstract Latin nouns in -or from the third declension to illustrate the same sorts of issues. He cites the fact that this word in modern Romances has the semantic value of both 'flower' and 'blossom', and suggests that flōs is therefore not completely concrete. Thus, he makes a case for the classification of flōs, flōris as abstract ("Aspects du latin vulgaire examiné à travers la géographie linguistique", Travaux de Linguistique et de Litterature, 17.1 (1979), 7-25). See the footnote following fleur for a different approach.
- ↑ Many abstract words with the accusative singular in -ōrem became feminine in French (e.g., dolor (masc) > douleur (fem)). The nonabstract 'flower' supposedly followed suit, according to historical grammars, which appeal to analogy and abstractness. Polinsky and Van Everbroek suggest that a better explanation would be analogy to nonabstract feminine nouns in -orem that occur with high frequency, e.g., soror 'sister', and uxor 'spouse' (“Development of Gender Classifications: Modeling the Historical Change from Latin to French”, Language, 79.2 (Jun., 2003): 356-90).
- ↑ 5.0 5.1 According to Ralph Penny (A History of the Spanish Language, Cambridge: University Press (2002), 125), Spanish 'calor' and 'color' were usually feminine in Old Spanish but revert to masculine after the Golden Age. Penny also mentions that these two nouns remain feminine in regional speech.
- ↑ 6.0 6.1 6.2 6.3 Zenenko states that nouns ending in -ōrem (in the accusative) are generally masculine in Latin but often develop into feminine nouns in Ibero-Romance. However, in the case of Catalan, these nouns are almost exclusively masculine in the spoken language, with the feminine equivalent appearing more and more in formal writing (“Acerca de la manifestación del género de los sustantivos y adjetivos como categoría grammatical en las lenguas romances ibéricas”, Verba, 10.1 (1983): 231-247). Cite error: Invalid
<ref>
tag; name "catalanella" defined multiple times with different content Cite error: Invalid<ref>
tag; name "catalanella" defined multiple times with different content Cite error: Invalid<ref>
tag; name "catalanella" defined multiple times with different content - ↑ According to Perkowski and Vrabie, this fits into three different semantic groups of the uncommon masculine inanimates in Romanian. That is, it fits into the groups related to bilaterality, anatomy, and implanted and hanging verticality. Vrabie and Perkowski also mention that the structure dinte/dinṭi shows an ending pattern that occurs frequently in animate masculine nouns and in adjectives, thus containing many aspects that maintain its grammatical gender. See footnote for nuor for bibliographic information.
- ↑ According to Rohlfs 1979, this phenomenon can be explained thusly: la dent developed as a feminine noun due to the influence of MOLA 'molar' and was reinforced by the feminine MENS, MENTIS, which has the same structure in the declension paradigm.
- ↑ This is almost certainly a borrowing from French; "pouoche" is the expected Jèrriais form
- ↑ "Ou"(/u/) would be expected here, instead of "ouo" (/wo/).
- ↑ 'Sal' is feminine in Spanish except in the Northwest of Spain (Penny 125).
- ↑ This fits into Vrabie and Perkowski's "celestial entites" semantic category, as part the paradigm for masculine inanimate Romanian nouns. Most inanimates are neuter in Romanian. (For further information, see their article "Covert Semantic and Morphophonemic Categories in the Romanian Gender System" in the Slavic and East European Journal, 30.1 (Spring 1986): 54-67.)
- ↑ Old Spanish 'la val' was feminine (Penny 125).
- ↑ 'Árbol' was often still feminine in Old Spanish (Penny 125).
- ↑ According to Polinsky & Van Everbroek, the traditional view of the development of l'arbre (masc) is the following: when tree names in Latin (which were feminine and ended in -us) became masculine nouns due to their similarities with second declension masculine nouns, Old French arbor became masculine by analogy. The authors, however, believe that a more plausible explanation would be that arbor became masculine around the same time that many nonabstract Latin nouns in -ōrem became masculine in early Old French. However, the majority of such nouns started as neuter in Latin. For example, Lat. cor > OFr. coeur 'heart' (“Development of Gender Classifications: Modeling the Historical Change from Latin to French”, Language, 79.2 (Jun., 2003): 356-90).
- ↑ This noun appears in Gerhard Rohlf's article "Aspects du latin vulgaire examiné à travers la géographie linguistique", published in Travaux de Linguistique et de Littérature, 17.1 (1979).
- ↑ Old French art was of variable M/F gender (Polinsky & Van Everbroek 364).
- ↑ 'Origen' was feminine in Latin and Spanish until the Golden Age (Penny 125).
- ↑ According to Polinsky and Van Everbroek, lacte was commonly used in Late Latin and was eventually reinterpreted as standing for lactem (especially as the final -m was weakened). A masculine noun lactis could have then been formed by analogy ("Development of Gender Classifications: Modeling the Historical Change from Latin to French", Language, 79.2 (Jun., 2003), 356-90).
- ↑ It should be noted that Sp. mar can be either masculine or feminine. The standard is, as shown, masculine; however, in certain fixed expressions, it is feminine. E.g., Ayer había mucha mar; en alta mar; hacerse a la mar; etc. Examples are according to www.wordreference.com, accessed 27 January 2008.
- ↑ The two gender options refer to differences in semantic value. El mar refers to the general mass or body of water. La mar refers to a specific body of water (i.e., a named sea) or a large mass of any other kind of liquid (e.g., a sea of blood, a sea of tears, etc.).
- ↑ Polinsky and Van Everbroek cite Meyer-Lübke and Pope, who believe that mare changed from the neuter in Latin to the feminine in Old French by analogy with terra 'land'.
- ↑ I believe this was borrowed from Breton.
- ↑ This word is adapted from Nahuatlan tomatl (compare with the Latinate word seen in the Italian pomodoro). For further information, see William A. Read's Louisiana-French (Baton Rouge: LSU Press, 1931, pg 149).
- ↑ According to Read 1931, the Portuguese and Spanish forms have their origins in West African niami, niambi, and that the African forms derive from Arabic gambah, 'yam-like root' (150). The French and Italian forms are adaptations from Spanish and Portuguese. Interestingly, the Louisiana-French version is yamme and is feminine, not having suffered from Spanish influence.
- ↑ "'Abstract nouns of quality' - noun derivatives of qualitative adjectives - are normally feminine" (Posner, Rebecca. The Romance Languages. Cambridge: University Press, 2002: 55).
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